"They've looked very beautiful, and they've been very beautiful. Oh, I've told her the sort you are!" the young man pursued. "I must take it on trust," the girl pursued. "And what if Mona doesn't give you up?" she added.!

On the 18th The Morning Post had at last its clear message, a brief account of the marriage, from the residence of the bride's mother, of Mr. Owen Gereth of Poynton Park to Miss Mona Brigstock of Waterbath. There were two ecclesiastics and six bridesmaids and, as Mrs. Gereth subsequently said, a hundred frumps, as well as a special train from town: the scale of the affair sufficiently showed that the preparations had been complete for weeks. The happy pair were described as having taken their departure for Mr. Gereth's own seat, famous for its unique collection of artistic curiosities. The newspapers and letters, the fruits of the first London post, had been brought to the mistress of Ricks in the garden; and she lingered there alone a long time after receiving them. Fleda kept at a distance; she knew what must have happened, for from one of the windows she saw her rigid in a chair, her eyes strange and fixed, the newspaper open on the ground and the letters untouched in her lap. Before the morning's end she had disappeared, and the rest of that day she remained in her room: it recalled to Fleda, who had picked up the newspaper, the day, months before, on which Owen had come down to Poynton to make his engagement known. The hush of the house was at least the same, and the girl's own waiting, her soft wandering, through the hours: there was a difference indeed sufficiently great, of which her companion's absence might in some degree have represented a considerate recognition. That was at any rate the meaning Fleda, devoutly glad to be alone, attached to her opportunity. Mrs. Gereth's sole allusion, the next day, to the subject of their thoughts, has already been mentioned: it was a dazzled glance at the fact that Mona's quiet pace had really never slackened. The girl's heart gave a tremendous bound; the right way dawned upon her in a flash. Obscurity indeed the next moment engulfed this course, but for a few thrilled seconds she had understood. To send the things back "for her" meant of course to send them back if there were even a dim chance that she might become mistress of them. Fleda's palpitation was not allayed as she asked herself what portent Mrs. Gereth had suddenly perceived of such a chance: that perception could come only from a sudden suspicion of her secret. This suspicion, in turn, was a tolerably straight consequence of that implied view of the propriety of surrender from which, she was well aware, she could say nothing to dissociate herself. What she first felt was that if she wished to rescue the spoils she wished also to rescue her secret. So she looked as innocent as she could and said as quickly as possible: "For me? Why in the world for me?"

"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. CHAPTER V "Oh yes, a lot of things. But you wouldn't know the place, all the same." He looked about the room with his discolored, swindled face, which deepened Fleda's compassion for him, conjuring away any smile at so candid an image of the dupe. "You'd know this one soon enough, wouldn't you? These are just the things she ought to have left. Is the whole house full of them?"